The Maggio, through its Festival, begins a new series of discoveries in Florentine opera. The aim is to carry forward a reflection on a historically important repertoire, which inevitably finds a new examination and proposal in the various areas of the city from which it originates. The series begins with La Dafne by Marco da Gagliano, composed in 1608 with the libretto by Ottavio Rinuccini, which represents one of the heights of this important composer and one of the most important examples of the new style of Recitar Cantando and the beginning of musical opera.
La Dafne
Opera in one prolugue and six scene
Libretto by Ottavio Rinuccini
Music by Marco da Gagliano
First representation: January 1608 at the Ducal Palace of Mantua
New staging
First representation in modern times of Florence's version, February 9 1611
Artists
Conductor
Federico Maria Sardelli
Director and sets
Gianmaria Aliverta
Costumes
Sara Marcucci
Choreography e assistente regia
Silvia Giordano
Luci
Alessandro Tutini
Modo Antiquo in collaborazione con Musica Antiqua del Maggio Musicale Fiorentino
Modo Antiquo
Stefano Tamborrino (flutes and percussions), David Brutti (cornett), Mauro Morini (trombone), Bettina Hoffmann (viola da gamba and lirone), Sabine Cassola (violone e flute), Francesco Olivero (theorbo and guitar), Ann Fierens (harp), Giulia Nuti (cembalo, organ and flute)
Musica Antiqua del Maggio Musicale Fiorentino
Luigi Cozzolino, Anna Noferini (violins)
Dafne
Francesca Boncompagni
Ninfa
Jennifer Schittino
Secondo Pastore
Manuel Amati
Ovidio/Apollo
Leonardo Cortellazzi
Tirsi
Alessio Tosi
Amore
Silvia Frigato
Venere
Cristina Fanelli
Seconda Ninfa
Marta Pluda
Pastore del Coro
Riccardo Pisani
Terzo Pastore
Dario Shikhmiri
Dancers
Elena Barsotti, Gaia Mazzeranghi, Pierangelo Preziosa, Paolo Arcangeli, Cristiano Colangelo